Class Notes
Gothic Horror
King Kong Film
Formula for the gothic romance – fate driving you forward
toward a particular goal but you don’t trust it because love is doomed etc.
Heroine is more complex
Dramatizes the first step of her voyage
Love triangle between the heroine, the hero and the monster
Ideal past has eroded away
Civilized vs. the savage
Never was a book- novelization done after the movie
Construction of the savage as a stereotype- was mostly used
to justify imperialism
(Central social issue of New Zealand)
King Kong and special effects
Deep dark woods
Isolated Island
Larger than life monster
Nature as the enemy
Paranoia
Helplessness of the heroine
Monster vs. hero
“Marries” Kong
Zombies
-First shows up in films around the 1950s
- Night of the living dead- post apocalypse type survival
story
-Why is it popular?- cheap to make, survival skills, hanging
on or letting go, motif of being able to let go of your loved one-see them
change- zombification, plays with our ideas of morals, about identity,
Alzheimer’s = actual zombification, responsibility of the survivors
- The situation of over population- something that we all
can see and feels out of our control
- Our population currently is unsustainable
- The paranoia becomes personal
-Paradigm shift
-Zombies are given this incredible amount of freedom with
this huge consequence
- Zombies = Immigrants= subtext
- The hope of survival or despair of the population and
their reaction
-Isolation = a challenge
- Cleansing aspect tied to apocalyptic ideas
-Depressing/ not really narratives of hope
- The zombie narrative is, you lose- they overwhelm, there
is always more
- The hungry ghost aspect- unsatisfied in this life
- The slowness, easy to defeat but its inevitable
-Always more zombies then there are non-zombies
-Some people are already zombies (Shaun of the Dead)
- we fantasize about the end of the world
- the group vs. the individual
-real enemy isn't entirely the zombies but human nature itself
-what is savage and what is civilized????
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